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Post by Admin on Jan 4, 2022 14:35:53 GMT -5
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Post by Admin on Jan 4, 2022 14:38:35 GMT -5
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Post by Admin on Jan 4, 2022 14:40:40 GMT -5
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Post by Admin on Jan 4, 2022 14:43:15 GMT -5
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Post by Admin on Jan 4, 2022 14:46:40 GMT -5
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Post by Admin on Jan 4, 2022 15:58:44 GMT -5
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Post by Admin on Jan 6, 2022 9:05:18 GMT -5
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Post by Admin on Jan 6, 2022 11:05:28 GMT -5
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Post by Admin on Jan 6, 2022 11:37:47 GMT -5
mort sahl on trump Home About Contact Blog There was a need for revolution, everybody was ready for revolution, but some guy had to come along who could perform the revolution and be great. The art of medicine consists in amusing the patient while nature cures the disease. "[4]:71 And Steve Allen introduced him on one of his shows as being "the only real political philosopher we have in modern comedy. Johnson's two young daughters, Lynda and Luci, were fans of the highly watched show. I had the pleasure of seeing and hearing Nancy Wilson, George Shearing and Mort Sahl, on the same bill at a nightclub in LA, 1961. [2][7] He continued with the masters program but dropped out to become an actor and playwright.[2]. "[2] Along with his nightclub performances, he appeared in some films and on television shows, including his network debut on The NBC Comedy Hour in May 1956. After Kennedy's assassination in 1963, however, Sahl became obsessed with the Warren Report's inaccuracies and conclusions, and spoke about it often during his shows. In the middle of the night, he phoned CBS head William Paley about the Smothers Brothers, demanding that the TV executive “get those bastards off my back.” That day Paley asked the heads of CBS entertainment shows to get the brothers to back off, according to author David Bianculli in his book, Dangerously Funny: The Uncensored Story of the Smothers Brothers Comedy Hour. [1][2] Sahl pioneered a style of social satire which pokes fun at political and current event topics using improvised monologues and only a newspaper as a prop. He recalls, "I couldn't get a thing going. The doctors x-rayed my head and found nothing. For income he wrote for a few avant-garde publications. The lyrics were clearly aimed at Johnson and his Vietnam War policies. He slept in the back seat of a friend's car since Babior was living with roommates, including Nancy Droeger and Althia Sims. One of his jokes became the basis for a famous JFK quip about a telegram from his wealthy father. He received a B.S. Interested in how Pennsylvania is shaping the 2020 election? "[4] As a result, he decided to try something different, by performing his plays as monologues. The brothers got the last laugh, sort of. But even they reportedly were upset about a mild skit on the top secret ingredients of LBJ's barbecue sauce. Its excuse was that Tom Smothers had failed to deliver an advance tape of a sensitive segment in a timely fashion. He would often recite some news stories combined with satire. [citation needed] According to Nachman, the excessive focus on the Kennedy assassination details was Sahl's undoing and wrecked his career. Sahl explained: I never found you could write the act. “Don’t buy a single more vote than is necessary. [4]:97, Sahl is #40 on Comedy Central's list of the 100 greatest stand-up comedians of all time, ranked between Billy Crystal and Jon Stewart. The show’s tag line was, “Sock it to me.” In his cameo appearance, Nixon looked into the camera and said, “Sock it to me?”. In 1953 he began dating Sue Babior. ", Shafer is a freelance writer in Williamsburg, Va., and author of “The Carnival Campaign: How The Rollicking 1840 Campaign of Tippecanoe and Tyler Too Changed Presidential Elections Forever.”, © 2020 The Philadelphia Inquirer, LLC Terms of Use/Privacy Policy. So he phoned the head of the TV network at 3 a.m. to complain. He married Susan J. Babior in 1955; they divorced in 1958. If it's uncontrolled, you kill people, but you have to be pretty arrogant to saw through a person's chest, take out their heart and believe you can fix it. You know what they call the fellow who finishes last in his medical school graduating class? He also wrote articles for a small newspaper criticizing the military, which resulted in his being penalized with three months of KP duty. [28], Sahl does not drink, smoke, use drugs or use swear words, on or off stage. He won a medal for marksmanship and an American Legion Americanism award. The announcement prompted Tom and Dick Smothers to write LBJ a letter conceding they had “occasionally overstepped our bounds” in mocking him. His style has an intuitive spontaneity. "[5] His trademark persona is to enter the stage with a newspaper in hand, casually dressed in a V-neck sweater. “Under the Trump administration the American Dream is becoming a nightmare” The brothers sang the "Draft Dodger Rag" by Phil Ochs with such lines as, "I got eyes like a bat, and my feet are flat, and my asthma's getting worse. For her it was like watching a circus act: "He freewheels a bike on a high wire tightrope with his brain racing and his hands off the handlebars. After Kennedy was elected, Sahl angered the Kennedy clan by poking fun at the new president. [4]:62, After a year at the hungry i, Sahl began appearing at clubs throughout the country, including the Black Orchid and Mister Kelly's in Chicago, the Crescendo in Los Angeles, and the Village Vanguard and the Blue Angel in New York City. Those who are past puberty might remember Mort Sahl. And the big fool says to push on.". "Things were simple then," he says. [2] But Sahl had by then already enlisted in the United States Air Force. Sahl spent his early years in Los Angeles and moved to the San Francisco Bay Area where he made his professional stage debut at the hungry i nightclub in 1953. [6], Sahl was born on May 11, 1927, in Montreal, Quebec, Canada,[7] the only child of Jewish parents. Now Trump regularly rails at the barbs of late night comedians. A group of sailors in the back of the room began heckling Sahl, and the [rest of the] audience was definitely on Sahl's side of frustration. CBS cut that segment, too. "I had to build up my own network of places to play," he says. Johnson apparently was bugged to learn on the show that "the Russians were 20 years ahead of us in barbecue sauce," said one of the show's writers, Saul Illam. "[23], Combined with his improvisational skill, Sahl's naturalness was also considered unique for a stage performer. It always does." "[4]:56 He and a friend then rented an old theater, which they called Theater X, for "experimental," and he began writing and staging one-act plays. Instead of backing off, the brothers Smothers doubled down. He kept his material fresh, wrote few notes, and entertained his audiences by presenting otherwise serious news with his brand of humor. TV executive Roger Ailes said he saw him read the paper one day and after a few hours Sahl got up onstage with an entire evening's worth of new material. [15], In 1988 Sahl was back in New York and performed a one-man Off-Broadway show, Mort Sahl's America, which, despite getting good reviews from critics was not a box office success. You have given the gift of laughter to our people. "[2], As a result of Sahl's popularity, besides getting on the cover of Time, he also became the first comedian to make a record album, the first to do college concerts and was the first comedian to win a Grammy.[13]. [4]:71By the end of his first year at the hungry i, Sahl was earning $3,000 a week (about $29,000 a week in 2020 money) and performing to packed houses. [27] He regrets their separation, saying "I'm sorry I divorced Kenslea; I'm still in love with my wife. He felt it would be easier to do his monologue on stage instead of trying to sell it to others. He told me to quit going to those places. "We were furious," Tom Smothers said later. May we never grow so somber or self-important that we fail to appreciate the humor in our lives. If you love a woman it'll make her a better woman. "[1] Time magazine in 1960 published a cover story about him and his rise to fame, in which they described him as "the best of the New Comedians [and] the first notable American political satirist since Will Rogers. One part went: "We're waist deep in the mud. Morton Lyon Sahl (born May 11, 1927) is an American comedian, actor, and social satirist, considered the first modern stand-up comedian since Will Rogers. Smothers later claimed the network had killed off the show under pressure from the Nixon administration. Wilson did a fabulous set, followed by Shearing. BrainyQuote has been providing inspirational quotes since 2001 to our worldwide community. Tensions continued between the brothers and CBS censors. Sahl became one of the 1960s' first insult comedians, who would trash just about anyone and everything. Sahl later admitted that "there's never been anything that had a stronger impact on my life than this issue," but added that he nonetheless "thought it was a wonderful quest. In June 2007 a number of star comedians including George Carlin and Jonathan Winters, gave Sahl an 80th birthday tribute. mes.kiev.ua/journal/mort-sahl-on-trump-64cf7b
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Post by Admin on Jan 6, 2022 11:42:50 GMT -5
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Post by Admin on Jan 6, 2022 11:54:20 GMT -5
ari.aynrand.org/wp-content/uploads/2019/08/199608.pdfPraise for Show from Mort Sahl Mort Sahl,the father of stand-up political comedy (pictured above withDr. Peikof{), was a guest on "The Leonard Peikoff Show" onJuly 29 and volunteered the following statements on the air:[This is] the most stimulating program on the radio. . . . I tell peopleall day to listen, because you seem to have raised the radio to anotherlevel. , . . I don't know that I agree with anlthing, but I walk awaywith a feeling of affirmation. I listen to the show very faithfully. . . .You dont try to conscript people. You present the issue and you wantthem to draw their own conclusions, but you dont want them tojump to them. And in that sense you may be the teacher I never hadin college
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Post by Admin on Jan 6, 2022 13:02:30 GMT -5
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Post by Admin on Jan 6, 2022 13:06:14 GMT -5
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Post by Admin on Jan 6, 2022 13:12:28 GMT -5
www.nj.com/opinion/2021/10/mort-sahl-offended-everyone-and-you-were-lucky-if-you-could-catch-his-act-opinion.htmlBy Star-Ledger Guest Columnist By Charles E. Kraus Mort Sahl has died. I own all the records, even the very early At Sunset album famous for being the first Mort Sahl recording and because Fantasy Records increased the speed so they could fit the entire concert onto two sides of an LP (Fantasy Records Mono 7005 Red Vinyl Deep Groove), Mort sounds like a perceptive Mickey Mouse on Benzedrine. My collection began in 1959. A few years later, I was a kid in a boarding school with the Verve and Reprise records in my closet. The rule was, doors open, hit the books each night from 7 until 9. Except, I had the records. My roommate and I would close our door and play them endlessly. You listened long enough and you started speaking like Mort. Took on his point of view. Did what he did, finding what you said funny and laughing at your own jokes. Mr. Weinberger would come by. He was an old man with a drill sergeant’s voice, hired to enforce the rules. He’d open our door, step in, listen to Sahl for a while, then step back into the hall closing the door behind him. Mort Sahl was a kind of a hall pass. Howard Liberman and I returned to the Village Gate nightclub over and over again trying to determine just how much of the routine was ad-lib, taken from the day’s newspapers and current events. That was the official story. What we discovered was that Sahl arranged and rearranged. Adjusted material. Added something, brought back an old comment in new pants. One of his talents was keeping track of what he’d used early in a set so it didn’t get repeated. Once, a few years later, I attended a performance at the Alhambra Library in Southern California. He wasn’t working much, rumors had it he’d been blacklisted courtesy of the Kennedy clan once he’d begun doing jokes about Jack. The show took place in a basement community room. It was packed. Crammed with fans who’d been waiting for an opportunity to hear from the man. Sahl went on and on and on. Two hours, at least. More extemporaneous than not. When he was hot, the guy could really wing it. Nobody wanted to leave, not even Sahl. My first job in broadcasting was in the script typing department at CBS’s Television City. We began in the late afternoon, once the writers had left the building, and stayed into the night, often into the early morning, typing, mimeographing, collating, and stapling scripts for All In The Family, The Carol Burnett Show and other programs produced in-house. Then our little unit would head up the street to Cantor’s Deli. Open all night, we’d arrive at 2 or 3 in the morning, and sometimes spot Mr. Sahl at a table reading the papers and taking notes. We didn’t bother him. It would have been rude. But several years after that, Sahl and I crossed paths at a Denny’s in Sherman Oaks. I couldn’t stop myself. I have all your records, I have your book, I’ve seen you dozens of times, on Broadway, TV, in the clubs — New York, LA, Chicago, Vegas. I was just the kind of fan I knew Sahl hated; knew could upset him. But I’d picked a good moment. He shook my hand and thanked me. He wasn’t as tall as I’d imagined. There were rough edges. He walked away from his role in Lorraine Hansberry’s play, “The Sign in Sidney Brustein’s Window.” Hosted, then left various radio and television programs under awkward circumstances. He wasn’t erratic, so much as subject to misunderstandings. That was part of the baggage and the mystique that he brought on stage if and when you were lucky enough to catch his act. I’d played his records for my daughters, talked about him often, repeating favorite lines. “Not everything I say is true, but it’s accurate.” “The reporter said he’d never been told what to write. But he knew what to turn in.” “A conservative is someone who believes in reform. But not now.” “Liberals feel unworthy of their possessions. Conservatives feel they deserve everything they’ve stolen.” At 77, he’d returned to New York. The Village Gate, his old stomping grounds, had become the Village Theater, and he was booked for a week. I had flown east with my kids to see a few shows. Someone else was doing a last stand in the city. Hal Holbrook presenting his Mark Twain. Mort showed up with his blackboard routine, graphing the political stance of various members of our government. He’d updated things, switched from a blackboard to a whiteboard. Had some magnetic cutouts that he slid around. Two of his friends, Woody Allen and Dick Cavett sat directly in front of us. It was a modest crowd. But friendly and pleased with the familiar routines. Sahl wore his trademark sweater. Cavett had dandruff. Over the years, particularly as Trump turned politician, I hoped that a Sahl comment, some bright new line, observation, insight, would surface. None materialized. But I could, I can, still hear him. “Are there any groups here I haven’t offended?” No. And none that you haven’t entertained.
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Post by Admin on Jan 6, 2022 17:26:51 GMT -5
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Post by Admin on Jan 6, 2022 17:27:32 GMT -5
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Post by Admin on Jan 6, 2022 17:36:34 GMT -5
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Post by Admin on Jan 6, 2022 17:38:17 GMT -5
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Post by Admin on Jan 8, 2022 8:02:04 GMT -5
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Post by Admin on Jan 15, 2022 8:05:46 GMT -5
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Post by Admin on Jan 15, 2022 14:42:34 GMT -5
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Post by Admin on Jan 18, 2022 11:14:35 GMT -5
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Post by Admin on Feb 16, 2022 11:29:34 GMT -5
mort sahl on dick clark
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Post by Admin on Feb 16, 2022 11:33:29 GMT -5
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Post by Admin on Feb 16, 2022 11:34:36 GMT -5
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Post by Admin on Feb 16, 2022 11:59:39 GMT -5
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Post by Admin on Feb 16, 2022 12:01:23 GMT -5
cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=DS19600120.2.66&e=-------en--20--1--txt-txIN-mort+sahl-------1SAN FRANCISCO TTD —Comedian Mort Sahl hat been ordered to appear ia Superior Court here today to answer a claim by his ex-wile that he owes her 12,754.74 in back alimony and community property. The comic's ex-wife, Susan. 25, asserted that Sahl was $2,700 In arrears is his 900 monthly alimony and that he had not given up 10,054 which was alloted her as her share of the community property. Sahl was served the summons in Los Angeles where his is appearing. The Sahls married In 1955 and separated In 1957 '
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Post by Admin on Feb 16, 2022 12:06:01 GMT -5
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Post by Admin on Feb 16, 2022 12:23:22 GMT -5
www.sfgate.com/entertainment/article/The-Crowd-Chuckles-While-Mort-Sahl-Knifes-2498257.phpBecause there is no one like Mort Sahl, his beautiful and violent comedy cries out to be dissected, to be identified and placed amid the familiar, and he refuses to dissect it. "My job is to do it, not to analyze it," he says, and adds: "I believe in theater. I am in theater. I don't want to keep stating what I think about comedy." He is credible, and therefore he has been pressed on this issue. The Sahl who opened at the hungry i last Monday for a four-week stay is the same Mort who appeared there two years -- and 10 years -- ago but with every gesture now perfected. The one-time part slave of his own intimations is now their master, and the result is Sahl, the Schopenhauer of the cellars, plus a performance. The trappings are familiar -- the hands stabbing nervously together, the bad-boy gleam in the eye and the proletarian-undercut voice that shouldn't be saying those things but still is. Onstage, Sahl himself states the dilemma of his audiences: "I have one joke an evening. The rest are all messages. But I know jokes. I tell them in the privacy of my home. (Pause.) Oh well, how about this? President Frondizi of Argentina says, 'We need $50 million in foreign aid.' Ike says, 'I'm sorry. I never carry more than $50 in cash.' " When Sahl recites this, it is hysterical. And it is still not a joke. Or: "The movie 'On the Beach' is escapist. Light and frothy. It will take your mind off the problem of birth control." While he is on, the listener who suddenly wakes up and walls out the humor of what he is saying will hear the members of the audience chuckling contentedly while Sahl knifes their most cherished beliefs. This is the true surrealism. Sahl is a surrealist Montaigne. And each of his short essays has this quality -- they shock by the absurd and abrupt connection of things that are supposed to be separate. Everyone has his own choice of whom we ought to go to war with. Sahl's choice: "Israel. At least I might meet someone I know." If this takes thought, Sahl says, "I know it takes thought. Lately, I haven't had any time, and that's the problem. I like to sit with a newspaper and read it. It crystallizes something. It's a lucky thing for me I had six years to sit around Berkeley and do it." If his stabs are unfair, he says, "For instance, I make no effort to balance my remarks about the two political parties. In the first place, that would be an admission they were different. Besides, individuals have selective ears: If a Catholic is offended by a joke about Kennedy, he doesn't hear the joke about Humphrey. And anyway, it isn't natural humor when I'm sitting down contriving, trying to give equal time." And he insists: "I am in the theater. And not in politics." Reaching for what is, to him, the heart of the matter, he says, "You have to remember that I am earning a fortune, literally, and I am always questioned as if I am on probation. This attitude places the audience on probation." As is probably true of any first-rate essayist, the audience is always on his mind. And if it is hard to fix forever his quality and remember the next day just what it was he said, Sahl thinks that "the wonderful thing about the quicksilver of a live performance is that it's all destroyed when it's over."
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Post by Admin on Feb 16, 2022 12:28:37 GMT -5
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